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    <loc>https://www.instituteforculturalactivism.org/episodes/episode49-jaanika-peerna-27dm9</loc>
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      <image:title>Episodes - Episode 50: Alex Halpern, friday, may 16, 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/e973be20-37ef-463f-9aff-ea8cd1647ed9/NineGoodTeeth.PNG</image:loc>
      <image:title>Episodes - Episode 50: Alex Halpern, friday, may 16, 2025 - Nine Good Teeth, 2002 screening at the Orpheum in Saugerties, NY on Sunday, May 18, 2:00PM</image:title>
      <image:caption>Alex Halpern’s  feature-length documentary unfolds through the stories and recollections of his 102-year-old grandmother Mary Mirabito, an outspoken and fiercely independent woman.</image:caption>
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    <loc>https://www.instituteforculturalactivism.org/episodes/episode49-jaanika-peerna</loc>
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    <lastmod>2026-01-25</lastmod>
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      <image:title>Episodes - Episode 49: jaanika peerna, friday, may 30, 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.instituteforculturalactivism.org/episodes/episode48-abc-no-rio-45-years</loc>
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    <lastmod>2026-02-07</lastmod>
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      <image:title>Episodes - Episode 48: abc no rio at emily harvey fdn, sunday, april 20, 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode47-cde-hubs-and-public</loc>
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    <lastmod>2026-01-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1737508307315-HDGE6H9EKP6V9EHXG20V/CDE_image.png</image:loc>
      <image:title>Episodes - Episode 47: culture declares emergency (cde) hubs present, thursday, January 23, 2025 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode46-susanne-rostock-following-harry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-07</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/cd87e1d2-9ec3-4a2e-a505-74279278c2aa/Following+Harry.PNG</image:loc>
      <image:title>Episodes - Episode 46: following harry, a film by susanne rostock, sunday, NOVEMBer 24th, 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/720df494-751b-4126-af59-86de3b811d93/Rostock_2.jpg</image:loc>
      <image:title>Episodes - Episode 46: following harry, a film by susanne rostock, sunday, NOVEMBer 24th, 2024 - Long esteemed as "an aural and visual poet", Susanne Rostock's filmmaking is a stunning 40 years of some of the most compelling documentaries of each decade. Her most recent film as director/editor, Sing Your Song, about Harry Belafonte's life as an artist and activist, was chosen to open the U.S. Documentary Competition section of the 2011 Sundance Film Festival, where it was described as a story "told with a remarkable sense of intimacy, visual style and musical panache".</image:title>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode45-salondamour-margret-wibmer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/4d1543c1-1d72-476e-bcc1-784d61b2a93a/Screenshot+2024-11-01+at+11.31.37.png</image:loc>
      <image:title>Episodes - Episode 45: Salon d’amour in japan, Margret Wibmer, sunday, NOVEMBer 3rd, 2024</image:title>
      <image:caption>Babeth Mondini-VanLoo Photo: Barbara van Itersum Babeth MONDINI-VANLOO (1948, Netherlands) is media-artist, filmmaker and producer. She studied painting and design in Aachen and performance and sculpture under the supervision of Joseph Beuys in Düsseldorf. She holds an MFA in film from San Francisco Art Institute. Mondini-VanLoo gained international acclaim for her films made with Joseph Beuys, and has since directed and produced over 40 films and video projects. Her films often deal with art, social engagement and spirituality. In 1980 she founded the production company Film Art Amsterdam for films about art, music, human interest and spirituality.  Mondini-VanLoo co-founded and served as programming director of BOS, the first Buddhist TV station in the western world, from 2000 – 2013. In 2005 she also founded the annual International Buddhist Film Festival Europe in Amsterdam and serves as its director. FilmograPHY (selection) Andy Warhol’s Unfinished Symphony (1975, short), Balls on the Line: Hommage à Joseph Beuys (1976, short), Beyond Ordinary Action (1982, short), Lydia Lunch: Daughter of Darkness (1998, short), Traditional and Western Buddhism (2001, short), Inner Voice – Meredith Monk (2009, doc), Dalai Lama: The power of compassion in turbulent times (2009), Moniek Toebosch: Who I was before I was (2011), Dalai Lama: The Oneness of Humanity (2012, short), Khandro Rinpoche – a Woman’s Path of Peace (2013), Painting Peace – Life &amp; work of Kazuaki Tanahashi (2013), Dialogue with nature (2013, short), Dalai Lama: Wellbeing, Wisdom &amp; Compassion (2014, short), Tzu Chi – Doing good in the world (2015), Resilience – Vision for a new America (2017), Arnold Schwarzenegger – The Art of Bodybuilding (2020, short doc), Dharma Rebel – Noah Levine (2019, doc), Amsterdam Punk Resurrection (2021, short), Jules Deelder: Dead-Alive (2022, short) Join us: Tues. July 16, 4pm ET zoom, fb live, youtube</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode44-sunflower-plasma-art-sci</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-02</lastmod>
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      <image:title>Episodes - Episode 44: [sun]flower plasma FRIday, NOVEMBer 8th, 2024</image:title>
      <image:caption>Babeth Mondini-VanLoo Photo: Barbara van Itersum Babeth MONDINI-VANLOO (1948, Netherlands) is media-artist, filmmaker and producer. She studied painting and design in Aachen and performance and sculpture under the supervision of Joseph Beuys in Düsseldorf. She holds an MFA in film from San Francisco Art Institute. Mondini-VanLoo gained international acclaim for her films made with Joseph Beuys, and has since directed and produced over 40 films and video projects. Her films often deal with art, social engagement and spirituality. In 1980 she founded the production company Film Art Amsterdam for films about art, music, human interest and spirituality.  Mondini-VanLoo co-founded and served as programming director of BOS, the first Buddhist TV station in the western world, from 2000 – 2013. In 2005 she also founded the annual International Buddhist Film Festival Europe in Amsterdam and serves as its director. FilmograPHY (selection) Andy Warhol’s Unfinished Symphony (1975, short), Balls on the Line: Hommage à Joseph Beuys (1976, short), Beyond Ordinary Action (1982, short), Lydia Lunch: Daughter of Darkness (1998, short), Traditional and Western Buddhism (2001, short), Inner Voice – Meredith Monk (2009, doc), Dalai Lama: The power of compassion in turbulent times (2009), Moniek Toebosch: Who I was before I was (2011), Dalai Lama: The Oneness of Humanity (2012, short), Khandro Rinpoche – a Woman’s Path of Peace (2013), Painting Peace – Life &amp; work of Kazuaki Tanahashi (2013), Dialogue with nature (2013, short), Dalai Lama: Wellbeing, Wisdom &amp; Compassion (2014, short), Tzu Chi – Doing good in the world (2015), Resilience – Vision for a new America (2017), Arnold Schwarzenegger – The Art of Bodybuilding (2020, short doc), Dharma Rebel – Noah Levine (2019, doc), Amsterdam Punk Resurrection (2021, short), Jules Deelder: Dead-Alive (2022, short) Join us: Tues. July 16, 4pm ET zoom, fb live, youtube</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode43-babeth-vanloo</loc>
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    <lastmod>2026-01-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/f36dc697-28c5-41fa-86ba-93b5407d77dc/VanLoo.PNG</image:loc>
      <image:title>Episodes - Episode 43: babeth mondini-vanloo tuesday, july 16th, 2024</image:title>
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  </url>
  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode42-fred-wilson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/6467802e-d448-46a2-b023-327d34b7543c/FredWilson_photo+by+Heratch+Ekmekjian.jpg</image:loc>
      <image:title>Episodes - Episode 42: Fred wilson tuesday, march 19th, 2024</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode41-alex-winter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/6ba8f3cd-8fd1-4ef8-8409-ec738a1e5e5b/Alex_Winter_pic.jpg</image:loc>
      <image:title>Episodes - Episode 41: alex winter wednesday, august 9th, 2023</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode40-tenzin-choegyal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/00bc6313-a672-474a-add5-0cb8a20b37b2/210310_Tenzin03851-1-1365x2048.jpg</image:loc>
      <image:title>Episodes - Episode 40: TENZIN CHOEGYAL MONDAY, MAY 22nd, 2023</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode39-kristin-mciver</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/4de0db34-6ea7-4303-b1a8-894677d69751/KMcIver.PNG</image:loc>
      <image:title>Episodes - Episode 39: kristin mciver TUESDAY, april 25th, 2023</image:title>
    </image:image>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode38-stalker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/9afdcb69-36f4-43ae-a961-132de816efd7/giu%2Blo_2021_3.jpg</image:loc>
      <image:title>Episodes - Episode 38: stalker TUESDAY, february 28th, 2023</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode37-qiao-xingyue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/cf5a3aa9-3094-401b-9d35-681c25d6c4d5/Qiao_Xingue_portrait.PNG</image:loc>
      <image:title>Episodes - Episode 37: Qiao Xingyue TUESDAY, JANUARY 24th, 2023</image:title>
    </image:image>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode36-ruangrupa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1662840863479-FGXURLZMW5VAZ3XM5W5P/04_ruangrupa_Photo-Gudskul_Jin-Panji_2019_2_web.jpg</image:loc>
      <image:title>Episodes - Episode 36: ruangrupa                saturday, september 17th, 2022</image:title>
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  </url>
  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode35-arahmaiani-feisal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1656694105822-K9F41XWZB3AQ4BIUOXVB/Arahmaiani-Bylakuppe-India-1-800x445.jpg</image:loc>
      <image:title>Episodes - Episode 35: Arahmaiani Feisal Tuesday, July 5th, 2022</image:title>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode34-gene-pendon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1653961002825-1LB7FQVRUH4VG3TXQVCC/MU_GenePendon_Image.jpg</image:loc>
      <image:title>Episodes - Episode 34: Gene Pendon Saturday, June 4th, 2022</image:title>
      <image:caption>WATCH EPISODE Gene Pendon is a graduate of Concordia University’s Fine Art Bachelor’s Program in Painting and Drawing in the early 90's, and has worked as a painter &amp; project producer in various spheres of mural work, street art and music marketing, graphic illustration and fine art, animation, installation, art direction for stage spanning the last 30 years out of Montreal, Canada. After over a decade of project development and production work for U.S. and international-based street &amp; contemporary art, branding &amp; music marketing campaigns during the 2000's, Gene re-establish earlier interests in validating mural proposals in Montreal’s public cultural sphere. Meanwhile, Gene’s interest in painting animation was showcased in various video and stage projects including the 2016 presentation of “Fractals of You” by the Montreal-based contemporary danse company, Tentacle Tribe, at La 5ième Salle theatre at Place-Des-Arts, Montreal. In 2017, Gene collaborated on the mural tribute for the Leonard Cohen family and the city of Montreal during the city’s dedication to the late artist, at the one-year anniversary of Leonard’s passing. In 2019, as an art director/designer, Gene proposed and produced a permanent photo installation for the John Lennon and Yoko Ono Suite entrance at Montreal's Fairmount Queen Elizabeth Hotel for the 50th anniversary of the Bed-In Protest for Peace in 1969, with exclusively licensed photography of the late U.S. photojournalist, Gerry Deiter. For the past decade, Gene has been involved in personal and professional research of Canada's Copyright Act, exploring various ideas of moral rights, the artist's body politic, and Canadian authorship in the public sphere Join us: Sat. June 4, 4:00pm ET zoom, fb live, youtube</image:caption>
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    <loc>https://www.instituteforculturalactivism.org/episodes/episode33-special-edition-ukraine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1652537929666-ODPJJ1TPZEOE5TYDDD5O/benefit+-+Copy.jpg</image:loc>
      <image:title>Episodes - Episode 33: Special Edition, UKRAINE Tuesday, May 17th, 2022</image:title>
      <image:caption>WATCH EPISODE Announcement for Fundraising Concert Friday, May 20th, 2022. Please join us for an evening celebrating the beauty of Ukrainian music and art at our fundraiser supporting Ukrainian refugees in Jersey City and NYC areas. 100% of proceeds from the evening will support Ukrainian Jersey City work providing support for the families and refugees currently sheltering in the JC and NYC, providing medical supplies and helping orphanages in Ukraine. VIDEO STREAMING FROM EVENT EVENT DETAILS: 21+ Friday, May 20th, 7-9pm Grace Church Van Vorst an Episcopal Congregation, 39 Erie Street, Jersey City, New Jersey, 07302 General Admission tickets ($125) include: Live performances and art showcasing Ukrainian culture Silent auction Heavy canapes &amp; flowing drinks &amp; much more! For sponsorship opportunities, contact: info@ukrainianjc.com TICKETS: bit.ly/SUPPORT-UKRAINE ABOUT UKRAINIAN JC Ukrainian Jersey City is a non-profit 501 (c)(3) organization supporting incoming displaced Ukrainian families in the Hudson County/NY area, as well as providing humanitarian aid in Ukraine including orphanages and elderly displaced persons home. Our fundraisers https://givebutter.com/9Xwrsg raising money for first aid kits and https://givebutter.com/y5ivb6 for ambulances https://linktr.ee/UkrainianJC Amazon List Ukrainian orphanages/ nursing homes, refugees Amazon List Military Humanitarian Aid for Ukraine Join us: Tues. May 17, 4:00pm ET zoom, fb live, youtube</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode32-penny-slinger</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1647212313600-QUYQFN8RTAOYDITCJHYV/PENNYSLINGER_photo+credit+Bil+Brown.jpg</image:loc>
      <image:title>Episodes - Episode 32: Penny Slinger, Tuesday, April 5th, 2022</image:title>
      <image:caption>WATCH EPISODE Penny Slinger, photo: Bill Brown Penny Slinger (b. 1947, London, UK) is a Los Angeles-based artist who has been exploring feminism, eroticism and mysticism in her art for over fifty years. Her early work was inspired by Surrealism, she went on to study and incorporate Tantra into her life and work. In her years in the Caribbean she studied and portrayed the pre-Columbian indigenous culture of the region. She continues to work in many mediums including collage, photography, drawing, sculpture/assemblage, performance arts and video, focusing on the liberation of the feminine. Solo exhibits include: Set design Dior Haute Couture show, Avenue Montaigne, Paris, Tantric Transformations, Richard Saltoun Gallery, London, Penny Slinger, Blum &amp; Poe Gallery, Tokyo, Penny Slinger, Blum &amp; Poe Gallery, Los Angeles, Self Impressions, Hear What I Say &amp; A Photo Romance Riflemaker Gallery, London, Exorcism Revisited, Broadway 1602 Gallery, New York, Inner Vision, Patrick Seale Gallery, London, Opening &amp; Penny Slinger, Angela Flowers Gallery, London. Group exhibits include: The Enchanted Interior, Guildhall, London, Cut and Paste – 400 Years of Collage, Scottish National Gallery of Modern Art, Edinburgh, Scotland, Visible Women, Norwich Castle Museum &amp; Art Gallery, Norwich, Virginia Woolf: An Exhibition Inspired by Her Writings, Tate St Ives, Cornwall, Dreamers Awake, White Cube Gallery, London, Room, Sadie Coles, London, Sex Work: Feminist Art &amp; Radical Politics, curated by Alison M. Gingeras, Frieze London, Blum and Poe, The Feminist Avant-Garde of the 1970s Hamburg Kunsthalle, History is Now: 7 Artists Take on Britain, Hayward Gallery, London, Woman, Bozar Centre for Fine Arts, Brussels, Lips Painted Red, Trondheim Kunstmuseum, Trondheim, Norway, The Dark Monarch, Tate Gallery, St Ives, Angels of Anarchy, women Surrealists, Manchester Art Museum, Young and Fantastic, Institute of Contemporary Arts, London. She is currently represented by Blum and Poe, LA and Richard Saltoun, London. www.pennyslinger.com www.blumandpoe.com/artist/penny_slinger wiki/Penny_Slinger Join us: Tues. April 5, 4:00pm ET zoom, fb live, youtube</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode31-debora-de-robertis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1644188965283-572MC310S61SGTEGLEEB/Deborah+de+Robertis_Paris+-+Copy.jpg</image:loc>
      <image:title>Episodes - Episode 31: Deborah de Robertis, Thursday, February 10th, 2022</image:title>
      <image:caption>WATCH EPISODE Deborah de Robertis, conceptual/performance artist, photographer Deborah de Robertis has been making iconoclastic work for over two decades. Assuming the position of “the muse”, often literally mimicking an iconic pose in a painting, she inhabits and animates the muse’s perspective in a performance. These incendiary and disruptive performance events have occurred in prominent museums, urban monuments, political rallies and confrontations. De Robertis says: “My nudity is seen through the context of creation and image.” By occupying the space of the female muse, she reverses the dominance of the viewer’s gaze upon a work of art and she challenges the classical, patriarchal and institutionalized politic of the established culture industry. De Robertis’ performance activates the muse and her power transforms the power dynamic of the Viewer/Object and empowers the viewer to examine and explore the roles and perceptions they are conventionally cast in and with which they identify. wiki/Deborah_De_Robertis Join us: Thurs. Feb. 10, 4:00pm ET zoom, fb live, youtube</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode30-allan-wexler</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1638932731459-O3DPKUVCOX557N8A018Q/Allan_Wexler_wearing_Amphorae%2C_2018.jpg</image:loc>
      <image:title>Episodes - Episode 30: Allan Wexler, Tuesday, December 14th, 2021</image:title>
      <image:caption>WATCH EPISODE Allan Wexler, industrial subversive sculptor. [Photo: Allan wearing Amphorae, 2018] Wexler has worked in the fields of architecture, design and fine art for forty five years. He is represented by the Ronald Feldman Gallery in New York City and teaches in the School of Constructed Environments at Parsons the New School for Design in New York City. Allan’s works explore human activity and the built environment. He works as an investigator using series, permutations and chance rather than searching for definitive solutions. He makes buildings, furniture, vessels and utensils as backdrops and props for everyday, ordinary human activity. The works isolate, elevate, and monumentalize our daily rituals: dining, sleeping, and bathing. And they, in turn, become mechanisms that activate ritual, ceremony and movement, turning these ordinary activities into theater. Allan Wexler and Ellen Wexler are a collaborative team involved in projects that are interdisciplinary. They have included architecture, public and private art commissions and museum education environments. It is by dissolving the boundaries between the fine arts and the applied arts, between furniture design, architecture and theatrical performance, between sculpture and interactive exhibition design and between the practice and the research of architecture, that new ideas and innovation flourishes. From Aaron Betsky's introduction for the 1999 catalog to the exhibition Custom Built: A Twenty-year Survey of Work by Allan Wexler which traveled to San Francisco Museum of Modern Art, Contemporary Art Center in Cincinnati and The Forum for Contemporary Art in St. Louis: "Allan Wexler is an artist whose gallery objects brings us back to first thing: how we keep rain off our heads, how we define space, how we measure our time. He elaborates on these simple acts in form. This is the core of his work. It is a type of experimentation with what we think we know: his work confronts us with the unknowability of even the simplest aspects of our daily lives. Wexler accomplishes this revelation in scale models of our reality. He reduces the complexity of our routines into totemic objects. These activities let us stage a ritual re-enactment of daily practices that is up to us as viewers to invent. Wexler makes basic shapes that he elaborates beyond function. He represents what is real in reality itself, and then makes it impossible to come to any simple understanding of his work. Eminently simple yet complex in its implications, Wexler's work stands as a paradigm for a practice of making, which is beyond either art or architecture. If I were to designate Wexler's work in any manner I would say it was experimental. Wexler experiments on and in the real world. He pulls apart the structures of our everyday life, plays with the materials out of which we construct our surroundings and our implements, and opens up new spaces within a world we thought we had defined. Sometimes they are spaces that only the imagination can enter through the portal of the model. Sometimes the proposals seem to indicate a return to basic principals rather than a progression into a bright future. What remains inherent throughout his work is the sense of experimentation- an investigation that operates as an extension of our ability to be at home in the world, to remake our reality, and to question our existence through what we make." www.allanwexlerstudio.com wiki/Allan_Wexler Join us: Tues. Dec. 14, 3:45pm ET zoom, fb live, youtube</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-29-ackroyd-and-harvey</loc>
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    <priority>0.5</priority>
    <lastmod>2022-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1636562142809-XF1X6CYR7GD0JQZ22Z8J/IMG_0659-1.jpg</image:loc>
      <image:title>Episodes - Episode 29: Ackroyd &amp;amp; Harvey, Tuesday, November 16th, 2021</image:title>
      <image:caption>WATCH EPISODE Ackroyd &amp; Harvey, eco-protectors, inventors and consciousness builders Ackroyd &amp; Harvey create works that intersect art, activism, architecture, biology, ecology and history. Referencing memory and time, nature and culture, urban political ecologies and degradation of the living planet, their time-based practice reveals an intrinsic bias towards process and event. They have extensive experience of working with scientists, and activating a greater public discourse on the ethics of aesthetics, activism within art-making and cultural adaptation to the climate and ecological emergency.  They aim to place the climate and ecological emergency at the centre of the artistic landscape and in 2019, co-founded Culture Declares Emergency to tell truth, seek justice and take action. Beuys’ Acorns, a work they initiated in 2007 is currently in exhibition at Tate Modern, 100 trees grown from acorns collected from “7000 Oaks” marking the centenary of Joseph Beuys’ birth and Tate’s declaration of the climate emergency.  In June this year, they collaborated with author and Writers Rebel activist Ben Okri on a new large-scale work On the Shore, an installation and performance work in two acts from Tate’s Turbine Hall to Thames Bankside where a huge pelt of living grass photosynthesised with Okri’s words was floated on the river. www.ackroydandharvey.com</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-28-celeste-lecesne</loc>
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    <priority>0.5</priority>
    <lastmod>2022-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1633310122249-WFGCYRQMU47BSZ1NKGOH/c_lecesne.jpg</image:loc>
      <image:title>Episodes - Episode 28: Celeste Lecesne, Thursday, October 14th, 2021</image:title>
      <image:caption>WATCH EPISODE Celeste Lecesne, writer, actor, LBTQ+ Angelic Alchemist Celeste Lecesne wrote the short film Trevor which won an Academy Award for Best Live Action Short and he is co-founder of The Trevor Project, the only nationwide 24-hour suicide prevention and crisis intervention Lifeline for LGBT and Questioning youth.  He is also the co-founder of The Future Perfect Project, a national arts initiative that offers LGBTQ+ youth the opportunity to express their vision of the future. He has written three novels for young adults, and created The Letter Q, a collection of letters by queer writers written to their younger selves. Celeste was the executive producer of After The Storm, a feature length documentary film that follows the lives of 12 young people in the wake of Hurricane Katrina, he has written for TV (Will &amp; Grace, Vicious) and was nominated for an Emmy for Armistead Maupin’s Further Tales of the City). An actor as well as a writer, James has appeared in Sex &amp; the City, on and Off Broadway (Boys in the Band, Cloud 9, The Best Man), but he is best known for his award-winning solo shows, Word of Mouth (Drama Desk &amp; Outer Critics Circle Awards) and The Absolute Brightness of Leonard Pelkey (Outer Critic Circle). The NYTimes has ranked him “among the most talented solo performers of his (or any) generation.”  www.celestelecesne.com www.thefutureperfectproject.com www.thetrevorproject.org</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-27-pia-dehne</loc>
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    <priority>0.5</priority>
    <lastmod>2022-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1624134852652-Y036D81QV2IL1PWA5ATA/Pia+Dehne+in+Exhibition.jpg</image:loc>
      <image:title>Episodes - Episode 27: Pia Dehne, Tuesday, June 22nd, 2021</image:title>
      <image:caption>WATCH EPISODE Pia Dehne, painter, intervention, community actionist “For the past 20 years, Dehne’s work has focused on commandeering and reshaping the myths and male driven fantasies of rock album covers, art history and her own compositions to create vital statements about the role of women in contemporary society and their own liberation.” ‘“Supernatural Thing’ Series Opening at RAG,” The Catskills Chronicle. Her work has been the feature of several solo exhibitions in NYC at Deitch Projects, Haswellediger &amp; Co. Gallery, Blackston Gallery, Charles Bank Gallery, and in Berlin, Germany at Achim Kubinski Gallery and AJL Gallery as well as numerous group shows in NYC at White Columns, Salomon Contemporary, Eric Firestone, Bushel, Delhi NY and Johan König Gallery, Berlin Germany. Since 2018, Dehne has been on the board of Directors at Black Ball Projects. In 2020, she received the Delaware County Arts Grant. Pia was born in Düsseldorf, Germany and received her Master of Fine Arts in 1994 at the Kunstakademie Düsseldorf. Dehne later lived in Berlin before relocating to New York City in 1999. She has lived and worked in the Catskills since 2011. www.piadehne.com</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-26-margret-wibmer</loc>
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    <priority>0.5</priority>
    <lastmod>2022-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1621974945208-51RO34OATY51QNUI6TXB/margret+wibmer_movement+exposed+gallery+space_2020.jpg</image:loc>
      <image:title>Episodes - Episode 26: Margret Wibmer, Thursday, June 3rd, 2021</image:title>
      <image:caption>WATCH EPISODE Margret Wibmer, multi-media artist Margret Wibmer’s performances, sculptures and photographic works explore relations between bodies, objects and spaces. Using ambiguity and the principle of chance as a methodology to deconstruct internalized processes, norms and values deeply embedded within our societies, she creates transient ‘realities’ that explore new strategies for connecting us with the world and with others. This becomes particularly apparent in her participatory performances where she uses specific garments that she develops for each project as a connective medium and engages the public as actors in her work. ‘Broadening and switching viewers' and actors' perspectives has always interested me. It was important to me from the very beginning to step back as a performer and open up the stage into something that can be filled by other people…. creating a space of experience for everyone individually or a space for dispute, confrontation and uncertainty, as well. Abandoning control is a central element of my work, whether in relation to the audience or in relation to the development processes underlying my work.’ ~ Margret Wibmer, interview with Magdalena Kröner, 2020.  Wibmer was born in Austria, studied at the University of Applied Arts Vienna and at Sandberg Institute in Amsterdam. She spent a large part of the 1980s in New York. In 1990 she moved to Amsterdam where she is based. Wibmer has exhibited and performed at Palais de Tokyo in Paris, RMIT Design Hub in Melbourne, Oude Kerk in Amsterdam, Ishikawa Nishida Kitaro Museum of Philosophy in Japan / KAI 10 – Arthena Foundation in Düsseldorf and many other venues. www.margretwibmer.eu</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-25-praxis-brainard-carey-delia-bajo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1621973596534-22I3IPT3XA5USRGA19UX/2516e3b10a6ae71f827eee0ad1ba25de_original.jpg</image:loc>
      <image:title>Episodes - Episode 25: Praxis: Brainard Carey and Delia Bajo , Tuesday, April 27th, 2021</image:title>
      <image:caption>WATCH EPISODE Praxis: Brainard Carey and Delia Bajo , interactive performance and conceptual art In 1999, wife and husband team, Brainard Carey and Delia Bajo created Praxis, their art collaborative. They had a major exhibition in The Whitney Biennial in 2002. "…this 2-person team offer visitors four free services: foot washes, hugs, Band-Aid applications to help heal visible or non-visible wounds, and gifts of dollar bills. Their interactive, nurturing performances offer alternative modes of economic and social exchange that serve as a comforting antidote to the potentially alienating effects of a world often dominated by technology and consumerism."[3] Debra Singer, curator. Praxis also brings Museum of Non-visible Art to high-schools, internationally, creating workshops challenging perception and assumptions about art. Students exhibit their non-visible art and share with friends and family. In their non-material capacities these works open portals to experiencing the social fiber, empowering individual and collective engagement in the essential artlife spectrum. Praxis Team are currently writing books and evolving their Museum of Non-Visible Art. They have written two books published by Skyhorse in New York City, The Art of Hugging and The School of Wishing and have interviewed 1000’s of cultural producers on Yale Radio. They live and work in New York City and New Haven, CT. www.museumofnonvisibleart.com, wiki/Praxis_(art_collaborative)</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-24-linda-weintraub</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 24: Linda Weintraub, Tuesday, April 6th, 2021</image:title>
      <image:caption>WATCH EPISODE Linda Weintraub, eco-artist, curator, author Linda Weintraub’s life embodies the life-performative endeavor of reconfiguring and contextualizing familiar social and internal human behavior, cultural references and belief systems - and repurposing hers and our interactivities toward a perpetual balancing and interdependency of society and nature. “LW: I would be a wife, mother, grandmother, gardener, bee-keeper, chicken/ duck/ turkey/ goose/ rabbit/ lamb/ pig raiser, orchard tender, berry grower, stone wall builder, compost maker, food preserver, maple syrup maker. In fact, it is my great fortune to be all these things as well as an artist, writer, publisher, curator.” ~ Linda Weintraub, Roll Magazine, 2012 Her 2013 book, To Life: Eco Art in Pursuit of a Sustainable Planet, defines a movement whose disparate approaches and media, range from tissue culture, microbes and soil to meteorological instruments, wastewater treatment plants and meetings with municipal workers - represent artists’ moral reckoning with global ecological threats. “Comparing the fluid aesthetics of ecosystems and the rigid aesthetics of engineered environments, for example, demonstrates that aesthetic ingredients embody social values and worldviews. As an eco artist, I rely upon aesthetics to convey the patterns that foster stewardship of our planet.” ~ Linda Weintraub, interview with Thyrza Nichols, 2019. www.lindaweintraub.com, wiki/Linda_Weintraub</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-23-nerenda-eid</loc>
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    <priority>0.5</priority>
    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 23: Nerenda Eid, Tuesday, March 30th, 2021</image:title>
      <image:caption>WATCH EPISODE Nerenda Eid, installation, media artist Exploring the impact of mythology and messaging at the intersection of gender, race and religion - Eid exposes the sources and boundaries of vulnerability, identity and agency utilizing video, sound, found and other objects, in installation frameworks. The Ripple Effect is a multi-channel video installation exploring masculinity and vulnerability through the female gaze. It invites the viewer to see men intimately and unexpectedly while interrogating notions of manhood. Her most recent project, The Untitled Underground Railroad Ride Project, a documentary following five Black and Latinx cyclists as they travel through the Deep South on a route inspired by the Underground Railroad, is currently in post-production. Eid, a freelance producer and AMP Watt Program Fellow, born in Liberia and raised in Switzerland and the US, has produced film, commercials &amp; branded content as well as experiential for brands like Fenty, Nike, GE, Moncler, Yeezy and the Cannes Lions’ shortlisted, Wallace. While living in Baltimore, Maryland in 2000, she curated a series of group shows called A Future Ancient Civilization: a presentation of visual art, music performances and literary readings, which was featured in the Baltimore City Paper. In 2004, she went on to curate, The Children Left Behind: AIDS Orphans Around the World, a 1,200 square foot touring exhibition of work by children from countries affected by AIDS for Catholic Relief Services. Eid is influenced by her atypical upbringing and decade plus-long career in the film, commercial/branded content space. www.nerendaeid.com</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-22-giana-pilar-gonzalez</loc>
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    <priority>0.5</priority>
    <lastmod>2022-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1615908513842-E36FNAQOPHJAIBCSFBVZ/Giana+Pilar+Gonzalez_no+border.jpg</image:loc>
      <image:title>Episodes - Episode 22: Giana Pilar González, Tuesday, March 16th, 2021</image:title>
      <image:caption>WATCH EPISODE Giana Pilar González, artist, brand spinner González re-brands, mashes deconstruction technology, and cultural systems. She researches, analyzes, and (re)maps code and structures to create new possibilities for participation and creative dialogue. This manifests as experiences, engagements, and products that challenge everyday people to reinvent the systems they encounter. Within her practice, Giana blurs the lines between art and commerce, digital and analog, couture and homespun culture, and uses art as a context for open experimentation and audience exchange. Her intimate knowledge of brand construction informs her artistic practice for remixing fashion and her research on mapping diagrams that show the design DNA of people, brands, and cultural movements. Her artwork has been featured in exhibits at Eyebeam and Garanti Gallery, and publications such as WiredUK, Hurriyet, and Fashion Practice. Giana holds a Bachelor’s Degree in Architecture from Catholic University of America in Washington D.C. and a Master’s Degree from the Interactive Telecommunications Program at Tisch School of the Arts, New York University. She currently lives and works in New York City and is the founder of TEOSANTOS, an experimental design studio based in Brooklyn. www.gianagonzalez.com</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-21-george-quasha</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 21: George Quasha, Tuesday, March 9th, 2021</image:title>
      <image:caption>WATCH EPISODE George Quasha, artist, poet and musician Quasha works across mediums to explore principles in common within language, sculpture, drawing, video, sound, installation, and performance. His axial stones, delicately balanced sculptures of 2-3 stones positioned one upon another at the most precarious point discovered. "Axial" refers to the invisible axis that comes into focus at the moment of precarious balance. Quasha has also created axial drawings, made with 2 hands simultaneously; axial drumming/music, non-metrical pulsation-based rhythm arising from interaction of instruments, sounds, surfaces; and axial poems, discovering points of charged variability in actual language use and bringing about a self-actualizing process. His video installation art is: Speaking Portraits, includes multiple volumes (art is,music is,poetry is, he has recorded over 800 artists, poets, and composers (in 11 countries and 21 languages). His recently emerging 5-vol. work of preverbs extends this principle (axial/liminal/configurative) in discrete acts of language called preverbs. "A preverb, in this special usage, as distinguished from proverb, is a saying in a state of language that stands previous to any claim on wisdom... It contains a certain wild, which here aims to preserve the rich complexity and uncertainty of the impulse to state truth and to protect the mind against oversimplified interpretation." In 2006 he was awarded a Guggenheim Fellowship in video art. Other awards include a National Endowment for the Arts Fellowship in poetry. He has taught at Stony Brook University (SUNY), Bard College, New School University (Graduate Anthropology Department), and Naropa University. With Susan Quasha he is founder/publisher of Barrytown/Station Hill Press. wiki/George_Quasha; www.quasha.com</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-20-chuyia-chia</loc>
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    <priority>0.5</priority>
    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 20: Chuyia Chia, Tuesday, February 23rd, 2021</image:title>
      <image:caption>WATCH EPISODE Chuyia Chia, performance artist, ecological and sustainable mythic Chuyia Chia moved to Singapore in the late 1990s and is now based in Gothenburg, Sweden. Her artistic training began as painting and moved into the realm of performance and installation art. Chuyia Chia's artistic direction has developed with of her identity as an immigrant in the 1990s, giving her global outlook and concern. In her work she pays particular attention to environmental responsibility and food, focusing on relationships and the communication between people. Her perspective is often how the body can express these contexts and communicate knowledge and emotions to the viewer. Chuyia has participated and been commissioned to perform in international exhibitions, festivals and events in more than 32 countries: China, Poland, Czech Republic, Northern Ireland, France, Belgium, Peru, Argentina, Russia, Canada, USA, Finland, Germany, Mexico, Thailand, Italy, Cameroon and more. Her most recently commissioned work was a piece for the Singapore Biennale, 2016. Chuyia Chia attended the School of Art Education (Malaysia), Nanyang Academy of Fine Art (Singapore), Curtin University of Technology (Australia) and Valand School of Art Gothenburg University (Sweden). www.chuyia.wordpress.com; Chuyia Chia vimeo</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-19-nancy-azara</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 19: Nancy Azara, Tuesday, February 16th, 2021</image:title>
      <image:caption>WATCH EPISODE Nancy Azara, rad feminist, mystical art mama Nancy Azara, artist and feminist educator, is best known for her large-scale wood sculptures and mixed media installations. This work explores life cycles, utilizing the tree as metaphor for personhood exploring folkloric stories of mystic women’s roles, goddess imagery, ancient symbols, and affirmation of female self. She co-founded NYFAI, The New York Feminist Art Institute in 1979. She currently engages in community intergenerational feminist dialogues with (RE)PRESENT, an outgrowth of NYFAI. She formalized her NYFAI class "Visual Diaries, Consciousness Raising Workshop" as a way to access the unconscious, which quickly became popular as a feminist consciousness-raising method  embraced in the nascent feminist art community in New York and with groups like Redstockings. Nancy holds workshops, mentors other feminist artists, sustaining a visual, experiential and pedagogical practice, remaining informed by body,  nature, spirituality and her experience as a woman. Nancy makes and exhibits work from her studios in Tribeca and Woodstock, NY. www.nancyazara.com</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-18-gordon-skinner</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1612572465095-LZMJCB6PYLPVAB6KZMSH/gordon+skinner+shades_cropped.jpg</image:loc>
      <image:title>Episodes - Episode 18: Gordon Skinner, Tuesday, February 9th, 2021</image:title>
      <image:caption>WATCH EPISODE Gordon T. Skinner, filmmaker, mediator, performer and producer Gordon T. Skinner is the founder &amp; executive producer of [Re]-Frame Media a full service production house and an M/WBE certified content provider to State and Local municipalities. [Re]-Frame’s activities include: diversity sensitivity training; gender-equity &amp; inclusion; dispute mediation, crisis intervention, and conflict resolution. Skinner has worked with several United Nations non-governmental organizations: A Workplace/A World of Difference Program for the Anti-Defamation League; Seeds of Peace (Israel/Palestine); the Andreas Papandreou Foundation &amp; the Youth Peace Initiative (Greece). He was the Director of Educational Outreach for Columbia University’s Middle East Institute. As Filmmaker and Director, Skinner has twenty years experience producing social justice documentaries. Formerly a Lincoln Center Institute artist-in-residence fellow, he has held residencies with: Tribeca Film Institute’s All Access Program and IFP Project Involve. His films include: Blood Money; Save Out Seaport; Cornelia Street Café; The Kunas; Sitting in the Fire; Strategic Omissions; and Lost Innocents. Other past projects: Echoing Green Purpose 360º; Border Crossers' interstitials highlighting training educators to address institutionalized racism in their classrooms; Dance for pole, a stereoscopic alternative dance, filmed &amp; screened at MoMA/PS 1; Evolution of a Revolution, inside the Occupy Wall Street movement. Skinner documented intimate talks among small audiences with His Holiness The Dalai Lama. Summer of 2020 Skinner was commissioned by the SoHo Broadway Initiative &amp; The Westwood Gallery of Art to document protest mural painting in support of the Black Lives Matter movement. Commercial credits: the Westin Hotel, Jersey City/Starwood; Latin-American Culture Week/teleSUR; Olatunji: Drums of Passion/Symphony Space. Producing credits: MTV, NHK, ESPN and Sony Music. Skinner commemorated Bach’s 330th birthday by filming Bach In The Subways that included a 200-person flash-mob in New York’s Grand Central Station. Skinner is currently in production with a feature-length documentary film, Aging Creatively: Changing Expectations!. A native New Yorker, he resides in Brooklyn.</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-17-grimanesa-amoros</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 17: Grimanesa Amorós, Tuesday, February 2nd, 2021</image:title>
      <image:caption>Photo: Katie Vajda WATCH EPISODE Grimanesa Amorós, light sculptor, social engagement activist Grimanesa is a New York-based American interdisciplinary artist with diverse interests in the fields of social history, scientific research, and critical theory. She has often drawn upon Peruvian cultural legacies as the inspiration for her large-scale light installations, which she has presented around the globe. Through her art, where one feels that the past is meeting the future, she conveys a sense of ephemeral wonder, entrancing viewers from all different backgrounds and communities to inspire them to become agents of empowerment. Grimanesa makes use of sculpture, video, and lighting to create works that illuminate our notions of personal identity and community. She was a guest speaker at TEDGlobal 2014, recipient of the ‘NEA Visual Artist Fellowship’, the ‘NEA Artist Travel Grant’, and has the distinction of being part of the ‘Art In Embassies Program of the U.S.’ Amorós has exhibited in the United States, Europe, Middle East, Asia and Latin America. www.grimanesaamorós.com</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-16-alan-w-moore</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 16: Alan W. Moore, Tuesday, January 26th, 2021</image:title>
      <image:caption>WATCH EPISODE Alan W. Moore, art historian and activist Alan Moore’s work addresses cultural economies and groups and the politics of collectivity. He has worked with artists’ groups Colab and helped start the cultural center ABC No Rio in New York City. Moore has published several books and runs the House Magic information project on self-organized, occupied autonomous social centers. He is currently writing a memoir of his years in the NYC artworld - steeped in NYC cultural history from the '70s thru the early 2000’s. "Occupations &amp; Properties" blog (since 2009) “Occupy wasn’t just a movement, it is a long-standing strategy and, frankly, a form of living. Alan W. Moore has seen firsthand more squats and occupations than anyone, and he brings his sensibility to bear on this global phenomena. A must read for occupiers, whether artist, activist or renter.” Nato Thompson “For decades Alan W. Moore has been an inexhaustible resource at the nexus of art and squatting, pumping out an archive through magazines, books, and art installations. Part memoir, part historical account, Occupation Culture is his newest burst of energy, surging into the squatter-artist canon to spend eternity alongside such well-respected contemporaries as Seth Tobocman, Fly Orr, and Eric Drooker - all of whom make appearances.” Hannah Dobbz, author of Nine-Tenths of the Law: Property and Resistance in the United States (AK Press) Reporting on close to 40 years of exploits Alan W. Moore’s Occupation Culture is no academic treatise but a Picaresque adventure story filled with both detailed observations and broader reflections on the political and cultural significance of art and squatting that stretches across the Atlantic from the United States to Europe.” Gregory Sholette, author of Dark Matter: Art and Politics in the Age of Enterprise Culture (Pluto Press) NYC art-related blog posts “Art Gangs.” Includes previews of forthcoming memoir. A. W. Moore, Occupation Culture: Art &amp; Squatting in the City from Below (Minor Compositions, 2015) from akpress.org A. W. Moore, Art Gangs Protest &amp; Conterculture in New York City (Autonomedia, 2011) from akpress.org Occupation Culture and the edited collection Making Room are online as free PDFs http://occupationculture.net Moore performed in the 1979 Public Arts International/Free Speech series.</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-15-patrick-meagher</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 15: Patrick Meagher, Tuesday, January 19th, 2021</image:title>
      <image:caption>WATCH EPISODE Patrick Meagher, media/material sculptor and social practice artist In both his digital portals and public participatory work, Patrick Meagher creates navigation tools guiding the participant through self-discovery to dynamic interconnectivity. He makes art about technology and consciousness, in digital-pop painting, sculpture, collage, animation, and VR. His work considers human evolution in the era of emergent trans-human technology in turn of the twenty-first century-- the largest and most tumultuous technological and economic shift in the history of humankind. Meagher's multifaceted art project entitled “Lineland”, is comprised of over 100 symbols used to create intuitive yet systematic, ‘journey drawings’, paintings, sculptures and immersive public art experiences.   This project represents the artist’s life’s work and is intended to engage and serve the public - guiding each participant through one’s own internal landscapes, personal history, hope and search for meaning. www.pcm3.net/#0</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-14-gaetano-kazuo-maida</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 14: Gaetano Kazuo Maida, Tuesday, January 12th, 2021</image:title>
      <image:caption>WATCH EPISODE Gaetano Kazuo Maida, filmmaker, photographer and director/producer Tano is the founder/director of International Buddhist Film Festival and Buddhist Film Foundation and is now launching Buddhist Film Channel , the first independent streaming platform for the extensive and diverse international Buddhist and mindfulness cinema. Filmmaker and photographer Gaetano Kazuo Maida (Tano) has served as executive director and chief programmer of Buddhist Film Foundation (link) since its founding in 2000, where he designed and initiated its International Buddhist Film Festival and the Festival Media distribution service. He was a founding director of the U.S. Buddhist quarterly Tricycle, and he was producer/director of the Ben Kingsley-narrated Peace Is Every Step (trailer), the first film profile of Vietnamese Zen teacher and author, Thich Nhat Hanh. A New York City native, he has lived with his wife Ayelet in the San Francisco Bay area for the past thirty years, where they are principals of book packaging firm A/M Studios.</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-13-marcos-torres-andrada</loc>
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    <priority>0.5</priority>
    <lastmod>2023-09-06</lastmod>
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      <image:title>Episodes - Episode 13: Joaquín Torres-García, with Marcos Torres-Andrada Tuesday, December 29th, 2020</image:title>
      <image:caption>WATCH EPISODE Marcos Torres-Andrada Artist, theologian, astrologer and grandson of legendary Uruguayan artist Joaquín Torres-García (1874-1949), discusses his grandfather’s life, as an educator, writer and cultural activist. JTG is extraordinary among the artists of the first half of the 20th Century for his extensive theoretical work, for the success of Constructivism, and the art school he founded in Montevideo, Uruguay. Presently, there is a museum dedicated to his legacy and a current show with Mondrian at MoMA in New York City. Joaquín Torres-García - Wikipedia www.torresgarcia.com</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-12-janine-von-thuengen</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 12: Janine von Thuengen, Tuesday, December 22nd, 2020</image:title>
      <image:caption>Photo: Alberto Guerri Janine von Thuengen, sculptor and performance artist Janine’s work balances pro-active social engagement with fine art. She creates large scale installations, miniature figurative works and socially engaging participatory cultural activism. Janine invites the participant into the present through a tactile sensitizing and slowing down, bringing the vivid unknown to our awareness using materials and space, working in a variety of mediums from traditional bronze, clay and glass; hemp, water, sound, film and plants. Explicitly, beawarenow.eu (BAN) creates participatory art projects, raising awareness to combat sex trafficking. This includes going to vulnerable communities in Italy and abroad, performing/inviting children and adults to create part of the sculpture/s. "...participatory art... because for me it is the most significant art form today, because I am a sculptor, because the tactile indelibly imprints in the memory of those who experience it, because it generates empathy where numbers and visual facts do not arrive, because I want to be together with the boys and close to the last girl." Two recent works engage and redirect our attention to the environment and sustainability - WATERBANK and GROW A SCULPTURE. Janine is based in Rome.  www.janinevthungen</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-11-victoria-vesna</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 11: Victoria Vesna, Tuesday, December 8th, 2020</image:title>
      <image:caption>WATCH EPISODE Victoria Vesna, Media dervish, Identity blaster, Nano Art-Mama Victoria Vesna, Ph.D., is an Artist and Professor at the UCLA Department of Design Media Arts and Director of the Art|Sci Center at the School of the Arts (North campus) and California NanoSystems Institute (CNSI) (South campus). Although she was trained early on as a painter (Faculty of Fine arts, University of Belgrade, 1984), her curious mind took her on an exploratory path that resulted in work can be defined as experimental creative research residing between disciplines and technologies. With her installations she investigates how communication technologies affect collective behavior and perceptions of identity shift in relation to scientific innovation (PhD, CAiiA_STAR, University of Wales, 2000). Her work involves long-term collaborations with composers, nano-scientists, neuroscientists, evolutionary biologists and she brings this experience to students. Victoria has exhibited her work in 20+ solo exhibitions, 70+ group shows, has been published in 20+ papers and gave 100+ invited talks in the last decade. She is the North American editor of AI &amp; Society journal (Springer Verlag, UK) and in 2007 published an edited volume - Database Aesthetics: Art in the Age of Information Overflow (Minnesota Press) and another in 2011 -- Context Providers: Conditions of Meaning in Media Arts. (co-edited with Christiane Paul and Margot Lovejoy) Intellect Ltd, 2011. Currently she is working on a series Art Science &amp; Technology based on her online lecture class. Victoria Vesna - Wikipedia Victoria Vesna</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-10-anais-maviel</loc>
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    <priority>0.5</priority>
    <lastmod>2022-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1636567015813-BS6EGXJMAOPJ24MZPIC1/photo+simon+desrochers.jpg</image:loc>
      <image:title>Episodes - Episode 10: Anais Maviel, Tuesday, December 1st, 2020</image:title>
      <image:caption>Photo: Simon Desrochers WATCH EPISODE Anaïs Maviel, Vocalist, percussionist, composer, music director and community facilitator. Anaïs’ work focuses on the function of music as essential to settling common grounds, addressing Relation, and creating utopian future. Inspired by Edouard Glissant's reflections on Creolization, she has associated her practice with the inextricable currents that move spaces and people between times and lands. The contemporary context of re-formulation of self, reality and social structures led her to question the use of language, and to explore its vibratory essence in music. Involved at the crossroads of mediums - music, visual art, dance, theater and performance art - she has been an in-demand creative force for artists such as William Parker, Steffani Jemison, Daria Faïn, César Alvarez, Larkin Grimm, Shelley Hirsch, Mara Rosenbloom, Melanie Maar &amp; La Bomba de Tiempo - to give a sense of her eclectic company. As a leader she is dedicated to substantial creations from solo to large ensembles, music direction for cross-disciplinary works, and to expanding the power of music as a healing &amp; transformative act. She performs extensively in New York, as well as in North, Central &amp; South America and Europe, and she is the 2019 recipient of the Van Lier Fellowship which allows her to further develop her composition language for voice and mixed ensemble, premiering new works at Roulette Intermedium in New York City.Her solo debut hOULe, out on Gold Bolus Recordings, received international acclaim and she recently released an eponymous album with carnivalesque duo DIASPORA. With a Masters Degree in Aesthetics (Literature, Arts &amp; Contemporary Though - Paris VII Diderot University), she focused her scholarly works on Afrocentric paradigms of Creative Music as utopian alternative politics. Anaïs Maviel pursues essay and poetic writings as part of her artistic inquiry and published a recent article in French magazine Revue et Corrigée, interviewed by bassist and collaborator Maxim Petit about the stakes of multiculturalism in contemporary music. www.anaïsmaviel.com</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-09-godfrey-reggio</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 09: Godfrey Reggio, Tuesday, November 24th, 2020</image:title>
      <image:caption>WATCH EPISODE Godfrey Reggio, Experiential Filmmaker From the age of 14, Reggio spent the next fourteen years in fasting, times of silence, and prayer, training to be a friar within the Congregation of Christian Brothers, a Roman Catholic pontifical teaching order. During his time with the order, Reggio co-founded La Clinica de la Gente, a facility that provided medical care to 12,000 community members in Santa Fe, New Mexico, and La Gente, a community-organizing project in northern New Mexico's barrios.[1] In 1963 he co-founded Young Citizens for Action, a community organization project that aided juveniles in the street gangs of Santa Fe. After he left the order, he co-founded the Institute for Regional Education in Santa Fe, a non-profit foundation focused on media development, the arts, community organization, and research, in 1972. Reggio has been involved in many progressive political causes in the United States, including work for the American Civil Liberties Union, co-organizing a multi-media public interest campaign on the invasion of privacy and the use of technology to control behavior. Reggio resides in Santa Fe, New Mexico and focuses on films exploring the negative impacts of consumerism and fundamentalism on the world. Godfrey Reggio participated in the Stock Exchange of Visions project in 2006. Reggio is most known for his Qatsi trilogy, which includes the films Koyaanisqatsi (1982), Powaqqatsi (1988), and Naqoyqatsi (2002). The film titles are taken from the Hopi language: Koyaanisqatsi meaning "life out of balance," Powaqqatsi meaning "life in transformation," and Naqoyqatsi meaning "life as war". The soundtracks for all three films were composed by Philip Glass. Godfrey Reggio - Wikipedia www.qatsi.org</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-08-cyril-christ-and-marie-wilkinson</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 08: Cyril Christo and Marie Wilkinson, Tuesday, November 17th, 2020</image:title>
      <image:caption>WATCH EPISODE Cyril Christo and Marie Wilkinson A culturally active and empathetically subversive husband and wife team deploying photography, written/spoken word and moving pictures in advocacy of indigenous cultures, endangered species, fragile habitats and eco-systems and global sustainability. Christo and Wilkinson turn their lens to the challenges facing tribes from Ethiopia to Namibia, a reverence and richness for the role of the African Elephant interconnected with different societies and tribes, and dedication to three endangered bioregions. "Part of our research," Christo said in an interview, "is going between the very physical and material--the sand, the mosquitoes, the drought and the cycles of everything that’s going on and then the stories that infuse a larger poetic - and the native people here still have that." Photography books include: Lost Africa: The Eyes of Origin, Walking Thunder: In the Footsteps of the African Elephant, and In Predatory Light: In Search of Lions, Tigers and Polar Bears, They both speak with urgency, dedication and brilliance about observed realities within the African continent. They created the film: Walking Thunder: Ode to the African Elephant The African elephant, a sacred totem for many peoples, is being killed at an accelerating rate - the loss of the African elephant population brings a sharpness, an existential symptom of our ailing world.﻿ christoandwilkinsonphotography.com</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-07-darryl-brown</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 07: Ogema Barking Dog Darryl Brown, Tuesday, November 10th, 2020</image:title>
      <image:caption>WATCH EPISODE Ogema Barking Dog Darryl Brown (with granddaughter Aurelia), First Nations Civil Rights Leader, Sundancer, Atavistic Surrealist Painter, Educator and Cultural Shape-Shifter Ogema (Sage Advisor) Barking Dog, Darryl Brown at age 19, was given the spiritual name “Midedigwe Anamosh” or Barking Dog, when after being inspired by the Wounded Knee Occupation, his voice became a powerful instrument for the American Indian Movement, AIM . Barking Dog was tapped by AIM leader, the renowned Denise Banks, to help lead the 1994 - Walk For Justice, a peaceful five-month march from California to Washington, D.C for Leonard Peltier and First Nations Justice. He was a Native American delegate at two Democratic Conventions for the elections of President Jimmy Carter, in the late ’70’s-early ’80’s. Barking Dog, marched alongside of Russell Means and Denise Banks. Darryl, Barking Dog is a three-time award winning painter, one from the National Congress of American Indians. His visual work is described as Atavistic Surrealism - Atomistic - Circumpunct-Primitive Modern - Pointillism/Juxtaposition with the Alchemy of Art &amp; Meditation with Emotional and Spiritual Color. In 2019, Michigan Governor Gretchen Whitmer appointed Darryl Brown to the board of Michigan Council for Arts and Cultural Affairs, where he is currently serving a 3-year term. A poet and writer of mystical journeys, prophecy and life lessons, much in the spirit of Carlos Castaneda; Darryl is now the subject of a new film series-in-progress. Darryl Brown ART | Facebook Darryl Brown | Facebook</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-06-weronika-trojanska</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 06: Weronika Trojanska, Tuesday, November 3rd, 2020</image:title>
      <image:caption>WATCH EPISODE Weronika Trojanska, Conceptual “Identity Sampling” Artist-Activist Weronika Trojanska collects artists' handwriting, body gesture, movement and way of speaking, shaping her body and mind to become a "biography of someone else." When the “I” can be a “storage” for elements of other peoples' lives, the Self becomes a Polyphonic Autobiography. Trojanska's "identity sampling" requires constant changes, involvement and obsession - to catch the essence of someone else’s features and inhabit it through a method of transcribing the gesture (reproducing, adapting and learning) by which means it becomes a part of her. She often chooses Fluxus artists, reperforming "Cut Piece," by Yoko Ono, Museum of Modern Art Salzburg, "The Perfect Journey (After James Lee Byars)," a bicycle tour that attempts to draw a perfect circle through the rigid grid of Manhattan, and "Maciunas Laughter" (Choir Editions) performed at the Museum of Modern Art, Emily Harvey Foundation, NYC and more. Weronika has presented her work in Amsterdam (Rongwrong and San Serriffe), Athens (3 137), Los Angeles (MuzeuMM), New York (Printed Matter), Singapore (ICAS), among others. As an art writer she has been publishing her texts in different Polish- and English-speaking media, currently she writes regularly for an art magazine Metropolis M and Arterritory.com. Weronika Trojanska – Rupert Weronika Trojanska | Facebook</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-05-monet-clark</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 05: Monet Clark, Tuesday, October 27th, 2020</image:title>
      <image:caption>WATCH EPISODE Monet Clark, Eco-feminist and performance based video/photographic artist Clark’s elaborate and wryly humorous characters are inspired by subculture, pop culture, superheroes, marginalized groups, history. With them she addresses sexual stereotypes, objectification, cultural taboos, ritual and nature’s sentience. Currently her works examine the connection between cultural bias, misogyny and climate change.  Pictured: Monet Clark in her film “Bunny Girl,” The strength of the piece is the character’s tender process of becoming animal— contrasted with her bare vulnerability and her inscribed sex-worker sexuality. This Playboy Bunny has gone feral from its social role, now potentially available to be with multitudes of other animals and plants. “Bunny Girl” is the product of a biopolitics in which power is not located in the gaze, as it has been for many feminist performance artists, but in the contingency of the body within an increasingly hostile ecology. —Anne Leslie Selcer, Hyperallergic, June, 2017 Clark’s recent work NOW, is a 10 screen, large scale, audience participatory, performance video installation and she is working on durational/ritual performances and performance-based photographs in nature. She is currently working on her Völva Saga series, wryly portraying archetypical yet oft shunned female characters, exposing internalized misogyny, exploring animal rights and environmental concerns. For more on the ideology behind the Völva Saga series, and how to donate to support their production see: http://monetclark.com/the-theory-behind-the-volva-saga-series/ www.monetclark.com</image:caption>
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    <loc>https://www.instituteforculturalactivism.org/episodes/episode-04-fredericka-foster</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 04: Fredericka Foster, Tuesday, October 20th, 2020</image:title>
      <image:caption>Photo: Andrew Gladstone WATCH EPISODE Fredericka Foster, Painter/Water Activist “Our bodies are mostly water, and we are an intimate part of the hydrological cycle. Think about this when you first awaken – we are all water filters. We intrinsically know this, and that all life depends on water. Looking at water, or a painting of water, resonates emotionally in our bodies and minds.” FF Foster ‘s paintings of water actively engage the visual and kinesthetic senses inviting contemplation through our relationship to water; its physicality and resonance in the body, its environmental and socioeconomic forces; psychological meaning and transformative properties. Growing up surrounded by water, and with a Sami great-grandmother,  Foster has a mythical reverence for water and water culture.  As a cultural activist, through her painting and exhibition curating, Foster raises and sustains dialogue, transforming our understanding and misperceptions in relation to the environment. Foster is the founder of www.thinkaboutwater.com, a water advocacy website that gathers cultural activists, features their work and strengthens the cause together. Fredericka Foster - Wikipedia www.frederickafoster.com</image:caption>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-03-lucia-cuba</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:title>Episodes - Episode 03: Lucia Cuba, Tuesday, October 13th, 2020</image:title>
      <image:caption>WATCH EPISODE Lucia Cuba, Fashion and Textile Artist-Activist Lucia Cuba’s work approaches fashion, textiles, design and the exploration of garments and other wearable forms as performative and political devices, broadening the understanding of the role of design objects from purely functional, commercial or aesthetic considerations, to social, ethical and political perspectives. As a fashion designer and scholar, Cuba is interested in issues of gender, biopolitics, health and global fashion practices. She has developed projects concerned with health, activism, education and the study of non-western fashion systems. Cuba received an MFA in Fashion Design &amp; Society from Parsons, The New School University (USA) and a BSc in Social Psychology from Cayetano Heredia University (Peru), where she also undertook MA studies in Educational Psychology and PhD studies in Public Health. Her work has been exhibited at the Boijmans Van Beuningen Museum (Rotterdam), the Museum of Arts and Design (New York), Museo Amparo (Puebla), Albuquerque Museum (NM), OCT Art &amp; Design Gallery (Shenzhen), BRIC Arts Media (New York), Fashion Space Gallery (London), Sur Gallery (Toronto), ART LIMA (Lima), among other cultural venues. She currently works as Assistant Professor of Fashion Design at Parsons, The New School University (NY), as a Visiting Professor of Garments and Textiles at the School of Arts and Design, Pontificia Universidad Catolica del Peru (LIM), and as an independent designer. www.luciacuba.com</image:caption>
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    <loc>https://www.instituteforculturalactivism.org/episodes/episode-02-alan-tod</loc>
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    <lastmod>2022-09-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1601868382110-02HC46ZZKEEQTPY9XXWU/Capture+d_e_cran+2020-10-02+a_+09.14.33.PNG</image:loc>
      <image:title>Episodes - Episode 02: Alan Tod, Tuesday, October 6th, 2020</image:title>
      <image:caption>WATCH EPISODE Alan Tod, Forest Artist Since 2014, Alan Tod has proposed FOREST ART (FOREST IS ART) combining art, science, politics and shamanism to “create spiritual thought and total art, where vegetal intelligence challenges our perception of reality.” Alan Tod is the artistic name of Julien Alain Louis Isoré. Julien Isoré began painting at age 10 and was interested in biology and the history of art. At the age of 24, after a master's degree in public law and a post degree in comparative intellectual property , Julien works for the National French television in entertainment as an artistic collaborator. At the age of 28, Julien Isoré opens his first painting studio in Paris and launches his first work of Total art: the international advertising campaign for love (LOVE: www.artforlove.fr). In 2007, he joined the School of Fine Arts in Lisbon (cieba) with his project: "Comparative LAB" (https://dessinisore.blogspot.com/) in collaboration with the School of Medicine of Lisbon and the School of Sociology of the “Imaginaire” of the University of La Sorbonne. He produces and organizes international exhibitions, collective performances, published articles and festivals on the theme of the collective imaginary and its relationship with art. He is particularly interested in the process of building new cultures and finding new spirit of art. Since 2014, Julien works under the name of Alan Tod and has been proposing the FOREST ART (FOREST IS ART) and collaborating with the biologist Fernando Souza (Bazel, Switzerland) and with the artist Marta de Menezes (Lisbon, PT) to develop bio-arte works. The forest embassy is exhibiting in remarkable shows in New York, Mexico or Lisbon. In 2019, Alan is a PHD Candidate in Fine Art (Arte Plasticas). www.alantod.com</image:caption>
    </image:image>
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  <url>
    <loc>https://www.instituteforculturalactivism.org/episodes/episode-01-anne-waldman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1600740776722-EC8U1EE1XY40Z2SSLIGC/6ed2684947c404d9cbb29ea6f348467c2c91f4a5.jpeg</image:loc>
      <image:title>Episodes - Episode 01: Anne Waldman, Tuesday, September 29th, 2020</image:title>
      <image:caption>WATCH EPISODE Anne Waldman, Fugitive Poet (at large) Poet, iconoclast, and active member of the “Outrider” experimental poetry community. Anne will perform a recently published work, “The Songs of the Sons &amp; Daughters of Buddha," share her ideas and energize us. Anne began Buddhist studies in the early 1970's with renowned Tibetan Lama, Trungpa Rinpoche and founded the Jack Kerouac School of Disembodied Poetics at the Naropa Institute, in Boulder, Colorado. She self-describes as a cultural activist, attributing the birth of her son, Ambrose Bye, as an "inspiring turning point," and in 1982, became deeply committed to global sustainability. Throughout her career, Anne has collaborated, and produced works with friends, Allen Ginsberg, Bob Dylan, Elizabeth Murray, Richard Tuttle, Meredith Monk, George Schneeman, Donna Dennis, Pat Steir; musicians Don Cherry, Laurie Anderson, and Steve Lacy; dancer Douglas Dunn; filmmaker and husband Ed Bowes; and her son, musician/composer Ambrose Bye. Anne was recently featured in 2019 film, ROLLING THUNDER, a "mocumentary" by director, Martin Scorsese. Anne Waldman - Wikipedia ﻿www.annewaldman.org</image:caption>
    </image:image>
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  </url>
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  </url>
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      <image:title>PUBLIC WORKS 2021-23</image:title>
      <image:caption>John DiLeva Halpern, BREATHSCULPTURE (Fresh Air Capsules) 1990 7 metal capsules (edition of 30) Courtesy of Institute for Cultural Activism International Currently on view in Utopia Distopia: il mito del progresso partendo dal Sud, (Utopia Distopia: The Myth of Progress Seen From the South) museo Madre, Naples, Italy, July 08 - November 08, 2021 Investigates contemporary practices responding to the massive social changes of the last half century. The exhibition proposes an analysis of the utopian promises and dystopian realities of modernity with particular attention to southern Italy and the failure of violent logics underpinning economic progress. madrenapoli.it</image:caption>
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      <image:title>PUBLIC WORKS 2021-23 - Make it stand out</image:title>
      <image:caption>Still from video proposal for Innsbruck, Austria: WE DO: SURFING THE APOCALYPSE / concept for world tour with local and remote performers, moving images from critical global &amp; regional disasters, collaborative – community participatory events. Artists: I.C.A.I. Harris-Halpern.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1600654163231-N2USR0BS4XFCUJZN2B8B/Screen+Shot+2020-09-20+at+9.51.46+PM.png</image:loc>
      <image:title>PUBLIC WORKS 2021-23</image:title>
      <image:caption>Link to Article Meet you in the streets on October 3rd, 2020. More info here</image:caption>
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  </url>
  <url>
    <loc>https://www.instituteforculturalactivism.org/history</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/32a6027b-af0b-4ece-825f-985638310954/AR00745_10.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>1. Joseph Beuys, 7000 Oaks (7000 Eichen), 1982, Documenta 7</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1cb78e09-e27c-4366-9c2b-ac4c47b2493c/joseph1.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>2. Joseph Beuys, 7000 Oaks (7000 Eichen), 1982, Documenta 7, first Oak tree planting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/832ae001-fe9f-40d3-af79-cab06c80346c/john_utopia_distopia.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>3. John Halpern, Operazione: Madre Aria, October 24, 2021, Artist Talk, Utopia/Distopia: the myth of progress seen from the South, curated by Kathryn Weir, Museo Madre, Naples, Italy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/75ce1e14-b75f-499d-9e4b-ffe2f63f6973/utopia_distopia.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>Utopia/Distopia: the myth of progress seen from the South, curated by Kathryn Weir, Sept. 7, 2021 – Feb. 21, 2022, Museo Madre, Naples, Italy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/04f24457-998b-4cdf-a78f-33806df748a8/bambi.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>Nomadic Institute, ICAI/FIU, Bambi Airstream</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/e6da033e-d6ab-492e-ac3a-4ef60d9d77d2/Configurations-and-vibration-modes-of-a-single-tuning-fork-and-its-dual-layer-structure.png</image:loc>
      <image:title>History</image:title>
      <image:caption>"Cultural Activism and the Creative Process," Interview with John Halpern and Emily Harris by Ronn Smith, Creative Dharma #11, August 2021, FIG 1 - uploaded by Hongbo Wang</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/8e05cad9-c495-4f45-998e-d032a8db93cd/IMG_8155.jpg.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>Recreating Leeds, Recreation and filming of Robert Filliou's intuitive card game, I.C.A.I. collaboration with Danielle Sweet, Apr 13, 2018, Peter Freeman Gallery, New York, NY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/fa305155-8eed-4de8-9d25-36761986a8a1/LEEDS+CARD+GAME+photo.jpg.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>Robert Filliou, Leeds Game, 1976</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/d58aa426-abaf-4259-932c-0335b372d79a/2+TOUCH+THE+SKY_Event+Flyer_1_New+School_NYC.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>TOUCH THE SKY: An Evening of Cultural Activism, announcement, May 13, 2019, The New School, New York, NY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/892e5a7c-0c78-4e03-b7c0-10dd5e198c89/WEDO_3.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>WE DO, still from video, 2021, "Ritual for a Living Future" online exhibition curated by Monet Clark, International Living Future Institute</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/2c2f6958-6618-46f5-af1f-56e79100c57c/Screen+Shot+2020-01-10+at+6.56.35+PM.png</image:loc>
      <image:title>History</image:title>
      <image:caption>1977</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/28bba37a-1db2-4a30-be15-84b7c104e893/Screen+Shot+2020-05-20+at+10.12.54+AM.png</image:loc>
      <image:title>History</image:title>
      <image:caption>The Institute for Cultural Activism on Your Environment Now with Hildur Palsdottir &amp; Keith Fiveson, 2020</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/c461157b-ea85-4a16-a714-8fe4fb3fd007/Screen+Shot+2020-01-10+at+6.55.45+PM.png</image:loc>
      <image:title>History</image:title>
      <image:caption>1977</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/a9a4ff5e-331f-47ee-b41f-b8aa2c52a858/2+Harris_ContemplativeOuterwearCap_AnaisMaviel_mar2019.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>Vocalist Anais Maviel performs Emily Harris' "Contemplative Outerwear Cap #3", WBA, The Stone at The Glass Theater, March 16, 2019, The New School, New York, NY. Photo: Renee Morello</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/c49c4440-5082-4949-9a18-bdfec2784eaa/3+NEW+CONSUME+FASHION_New+School_NYC.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>New Consume Fashion Show, TOUCH THE SKY: An Evening of Cultural Activism, May 13, 2019, The New School, New York, NY</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/4bb59fd3-5db9-4d15-9d6e-4fac7851ae94/4+TOUCH+THE+SKY+-+LEEDS+CARD+GAME_NYC.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>Leeds, Recreation with Alison Knowles, Alex Halpern, Weronika Trojanska, Zhenya Merkulova, TOUCH THE SKY: An Evening of Cultural Activism, May 13, 2019, The New School, New York, NY</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/6ae91196-16bf-4c3b-a5db-abe35d7f5dd9/anthem_meredith_monk.JPG</image:loc>
      <image:title>History</image:title>
      <image:caption>Anthem by Meredith Monk. Performed by Meredith Monk &amp; Vocal Ensemble and Alarm Will Sound, 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/cc0f84c4-b8c3-4219-87af-11ab8c4ac2c6/fiu_icai.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>FIU: Amsterdam and Institute for Cultural Activism International/FIU: New York, Bolognano, IT. May, 2021. Babeth van Loo, John DiLeva Halpern, Carl Giskes, Emily M Harris, Waldo Bien.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/e9450059-2bc9-4e10-b210-72bb04ab7540/axel+muntes+school.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>John with students from Axel Munthe Highschool, May, 2021, Anacapri, Italy</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/827b2696-3e15-40a5-893a-7d38806ae59d/qr.jpg</image:loc>
      <image:title>History</image:title>
      <image:caption>QR Mandala</image:caption>
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  </url>
  <url>
    <loc>https://www.instituteforculturalactivism.org/history-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/32a6027b-af0b-4ece-825f-985638310954/AR00745_10.jpg</image:loc>
      <image:title>In The Press</image:title>
      <image:caption>1. Joseph Beuys, 7000 Oaks (7000 Eichen), 1982, Documenta 7</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1cb78e09-e27c-4366-9c2b-ac4c47b2493c/joseph1.jpg</image:loc>
      <image:title>In The Press</image:title>
      <image:caption>2. Joseph Beuys, 7000 Oaks (7000 Eichen), 1982, Documenta 7, first Oak tree planting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/832ae001-fe9f-40d3-af79-cab06c80346c/john_utopia_distopia.jpg</image:loc>
      <image:title>In The Press</image:title>
      <image:caption>3. John Halpern, Operazione: Madre Aria, October 24, 2021, Artist Talk, Utopia/Distopia: the myth of progress seen from the South, curated by Kathryn Weir, Museo Madre, Naples, Italy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/75ce1e14-b75f-499d-9e4b-ffe2f63f6973/utopia_distopia.jpg</image:loc>
      <image:title>In The Press</image:title>
      <image:caption>Utopia/Distopia: the myth of progress seen from the South, curated by Kathryn Weir, Sept. 7, 2021 – Feb. 21, 2022, Museo Madre, Naples, Italy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/04f24457-998b-4cdf-a78f-33806df748a8/bambi.jpg</image:loc>
      <image:title>In The Press</image:title>
      <image:caption>Nomadic Institute, ICAI/FIU, Bambi Airstream</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/e6da033e-d6ab-492e-ac3a-4ef60d9d77d2/Configurations-and-vibration-modes-of-a-single-tuning-fork-and-its-dual-layer-structure.png</image:loc>
      <image:title>In The Press</image:title>
      <image:caption>"Cultural Activism and the Creative Process," Interview with John Halpern and Emily Harris by Ronn Smith, Creative Dharma #11, August 2021, FIG 1 - uploaded by Hongbo Wang</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/8e05cad9-c495-4f45-998e-d032a8db93cd/IMG_8155.jpg.jpg</image:loc>
      <image:title>In The Press</image:title>
      <image:caption>Recreating Leeds, Recreation and filming of Robert Filliou's intuitive card game, I.C.A.I. collaboration with Danielle Sweet, Apr 13, 2018, Peter Freeman Gallery, New York, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/fa305155-8eed-4de8-9d25-36761986a8a1/LEEDS+CARD+GAME+photo.jpg.jpg</image:loc>
      <image:title>In The Press</image:title>
      <image:caption>Robert Filliou, Leeds Game, 1976</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/d58aa426-abaf-4259-932c-0335b372d79a/2+TOUCH+THE+SKY_Event+Flyer_1_New+School_NYC.jpg</image:loc>
      <image:title>In The Press</image:title>
      <image:caption>TOUCH THE SKY: An Evening of Cultural Activism, announcement, May 13, 2019, The New School, New York, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/892e5a7c-0c78-4e03-b7c0-10dd5e198c89/WEDO_3.jpg</image:loc>
      <image:title>In The Press</image:title>
      <image:caption>WE DO, still from video, 2021, "Ritual for a Living Future" online exhibition curated by Monet Clark, International Living Future Institute</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/2c2f6958-6618-46f5-af1f-56e79100c57c/Screen+Shot+2020-01-10+at+6.56.35+PM.png</image:loc>
      <image:title>In The Press</image:title>
      <image:caption>1977</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/28bba37a-1db2-4a30-be15-84b7c104e893/Screen+Shot+2020-05-20+at+10.12.54+AM.png</image:loc>
      <image:title>In The Press</image:title>
      <image:caption>The Institute for Cultural Activism on Your Environment Now with Hildur Palsdottir &amp; Keith Fiveson, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/c461157b-ea85-4a16-a714-8fe4fb3fd007/Screen+Shot+2020-01-10+at+6.55.45+PM.png</image:loc>
      <image:title>In The Press</image:title>
      <image:caption>1977</image:caption>
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    <priority>0.75</priority>
    <lastmod>2024-12-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/956195d2-d2d4-4261-af59-d22bab40bda3/tulku+pema+rigtsal_interview.png</image:loc>
      <image:title>Sanctuary - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/5233940e-5fa6-4265-afbf-3dd713b94f56/08+-+Natalie+Rose+...+by+Sarra%E2%80%99a+Abdulaziz+1.jpg</image:loc>
      <image:title>Sanctuary - NATALIE ROSE LEBRECHT, Photo: Sarra’a Abdulaziz</image:title>
      <image:caption>NATALIE ROSE LEBRECHT, Photo: Sarra’a Abdulaziz LeBrecht announces a new album, Holy Prana Open Game, released via American Dreams. “‘Prana’ feels like it came through from another realm,” LeBrecht shared in a statement. “I simply helped materialize it so that others could hear it too. This piece is an invitation to an exalted, feminine state of mind, which is playful and exists outside of time and space as we ordinarily perceive it.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed46936a763213deefbd032/1621979855946-7WF0O4ER9Z1J9E9BNL5E/anthem_meredith_monk-2.JPG</image:loc>
      <image:title>Sanctuary - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
</urlset>

